What’s new

Clicking the thumbnail opens the map large in a centred window, no longer in a panel squeezed beside the page. « Open with… » sits at the top right of the thumbnail to head straight for the route.

Instead of a bare « Awaiting take-over », the row names the professional (or shows « Professional not named ») and says where the client stands: account to create, link declined, link to send, sent or opened, and when. A folder with nothing posted yet takes the link’s last move as its latest activity.

The sheet slides over the dimmed page, with a handle: drag it down to close, or tap the page behind. The draft is kept, and the page no longer scrolls under the keyboard. The help button steps aside while the sheet is open.

When a feature of a higher plan is refused (templates, custom fields, statistics), a short animated preview shows what it brings. On templates, the “New” button stays where it is, marked with the plan, and opens that preview instead of a banner.

Short options (“Yes”, “Tuesday”) stay on one row; as soon as one is a phrase, they stack. An empty or duplicate option gets its own message, and the panel closes on a click outside.

The list flags a folder waiting for its professional with a badge, shows a dash for empty cells and hides empty chase views. When creating, “For me” or “For someone else” is chosen on two cards, and each step puts the cursor in its first field.

Each subject says what is waiting, who wrote or what changed, instead of a generic “Something new”. Requests, documents and approvals are listed as rows, the reminder names who is waiting for your answer, and every e-mail carries a single help line. In Gmail’s dark mode, the main button keeps its colour and its white label.

The folder filter, the template variables, the transfer screens and the folder-templates sheet still said « organisation » or « company ». They now say « workspace », like the rest of the app.

Messages, the help button and the « ↑ » arrow sit above the writing bar instead of covering it, and no empty second bar is left behind. In the thread, a post’s faces and its « … » menu stay level with their author, and the breadcrumb holds on one line.

Admissions, invitations, access, pictures, a deleted contact and every step of the handover now update the tabs already open on the folder. The professional the folder is waiting for appears in the side panel as responsible, with an “Awaiting” badge.

A contact’s picture is looked up on Gravatar and Libravatar from their address, then refreshed daily. It is erased with the contact, and the choice of an account that refuses these services is respected.

Settings headers wrap on a phone and the quota table follows the width of its card. The usage and subscription pages use the menu’s labels, and the seats counter explains, in a tooltip, that pending invitations count.

The thread filters on “to do”, “waiting” or “overdue”, seen from your side and counted like the side panel. A shortcut narrows the thread and brings the first item to act on into view.

Every owner or administrator has their own calendar address for the whole workspace; it stops working if they leave the workspace or are no longer an administrator. Optionally, slots still on offer are added as tentative events, only on the side that offered them. Each event carries the appointment’s title and the folder’s name.

An appointment can carry a title (“Handover of works”); without one, the place names it. The “+ Add” menu lists every type with a line of help, and “Templates” says what each template asks for.

The sign-in code mail offers to create an account when the address has none yet, and explains why you receive it. When an account was prepared for you, the terms acceptance says so and by whom.

Messages, comments, document requests, templates and voice notes follow the same limits. The browser refuses a file that is too large or unsupported before sending it, and large files from a phone get more time to arrive.

Instead of a full-screen wizard, a small window you can dismiss asks for your name and your workspace’s, both prefilled. Once, and that’s it.

The three pages now follow the same order: the « New… » button in the header, tabs, a filter bar with search, then the table. The « … » menus and empty-list messages are the same everywhere, and « New folder » stands out at once.

Enter your address: a single e-mail goes out, with the code first and the link below, and the screen waits for the code. It works even when you read the mail on your phone while signing in on a computer. Within a flow, sign-in opens in the usual window and keeps you where you were.

Under the navigation, a section carries your workspace’s name: members with their count, the subscription for those who can manage it, and a gear for every setting. The lone button at the foot of the bar goes.

Hovering a recent folder shows a card: the person responsible, who holds the folder, how many requests are waiting, how many are late and when it last moved. The workspace name only appears when you have several to tell apart.

Every window and panel now shares the same header (icon, title, one line of help), the same widths and actions in the same place. On a phone, windows open as a sheet.

The client creates an account with a six-digit code typed in place, with no link taking them elsewhere. A card shows them the sending, the opening and the take-over as they happen, and they can fix the subject, the description or the professional’s name until someone takes the folder over. The client no longer ends up as the professional of a folder they opened for someone else.

The subscribe panel leads with the calendars, and the feed address folds away. A folder with no date shows a single empty message instead of several.

A draft you had emptied came back on the next load: it is now properly deleted. The publish menu reads “Post the message as…”.

The reminder sent to a French-speaking client no longer slips into English when the professional was never named: it says “your professional”. The e-mail that brings the link no longer hints at a paid plan and says that taking the folder over costs nothing.

In production, the charts on the Statistics page were all drawn in the text colour. Each series has its own colour again.

The contact cards of a folder could disappear after the page refreshed, with no error. They now stay in place.